Here’s Looking at Film, Kid

Film Review
I Am Legend
Directed by Francis Lawrence
Starring Will Smith
Rated R, 101 mins

**** / *****

There has yet to be a perfectly faithful adaption of Richard Metheson’s I Am Legend, a novella I rank without hesitation in my top five books of all time. It is a brilliant character study of one man alone in a world gone mad — where creatures hunt the night and loneliness haunts the days. And even if it isn’t completely loyal to the source material, director Francis Lawrence’s I Am Legend is about as close as we’re going to get. And it’s a pretty damn good movie to boot.

Will Smith plays Robert Neville, a military scientist and the last man on Earth (or so he thinks). In 2009, a virus intended to cure cancer goes airborne and mutates a percentile population into ravenous creatures known as Dark Seekers. Neville, one of the few humans immune to the virus, spends his days alone, gathering food, hunting and holding conversations with mannequins he’s staged in a video rental store. At night, Neville barricades himself in his home and tries to sleep through the inhuman howls of the Dark Seekers roaming the streets outside. Neville is mankind’s last hope — and he only preservers to find a cure.

Smith commands the role of Neville with a subtle honesty — this is certainly one of his strongest performances to date. Crafting such a vivid and entertaining film out of what is, essentially, an hour of Smith and a German Shepard roaming about a desolate New York City, is a challenge. But Smith and Lawrence are more than up for the challenge, and the result is a fantastic film, part action flick, part quiet character study.

The creatures in this film — the Dark Seekers who, for lack of a better word, are basically vampires — are truly frightening. The first glimpses we catch of these things, illuminated at the fading end of a flashlight, are some tense moments. The creature design is just excellent. These aren’t the mutants of The Omega Man. These are the vampires that Matheson envisioned for his novella — swift, cunning and ruthless.

Yes, the film takes a few hefty liberties (the ending, for starters, is drastically different). But the central story and themes are present. We feel Neville’s loneliness and desperation as he strives for what may seem like a futile goal. As I said … we have yet to see a truly perfect adaptation of the novella. But Lawrence and Smith have given it everything they’ve got, and the end product is great.

Hey everyone! I’ve just finished writing a trio of movie reviews. There are a couple more on the way, but it’s finals week here, so I don’t have a whole lot of extra time. Anyways, enjoy these ones!

Film Review:
Cassandra’s Dream
Directed by Woody Allen
Starring Ewan McGregor, Colin Farrell
Rated PG-13, 108 mins

** ½ out of *****

The newest Woody Allen venture is a slightly mixed bag. The story of two English brothers, giddy after the purchase of a gently used sailboat, the titular Cassandra’s Dream, Allen’s latest, despite a talented cast, falls short. Ewan McGregor and Colin Farrell are Ian and Terry respectively, an ambitious would-be real estate mogul and uncharacteristically lucky gambler and mechanic. When a high-stakes poker game goes awry, both brothers are forced to call upon rich Uncle Howard, Tom Wilkinson, for help. Unfortunately for them, Uncle Howard demands a price that neither of them may be prepared to pay.

On the plus side, both leads are not only convincing, but sympathetic, Farrell particularly so as a man torn apart by his sins. The triangular power struggle between both youths and their distant, yet ever-present uncle provides tension, but like the rest of the movie, it fails to satisfy. Unfortunately, the film, as a whole, ultimately goes nowhere. The ending and climax are both abrupt and do not pay off. Half of its characters are simply forgotten, while the two leads are rather hastily dealt with. In the end, Cassandra’s Dream’s comments on greed and ambition are too frivolous to carry any real weight; the film succeeds only in leaving the audience feeling cheated of dénouement.

Paranoid Park
Directed by Gus van Sant
Starring Gabe Nevins, Lauren McKinney
NR, 85 mins

**** out of *****

Another new offering from an established filmmaker, Gus van Sant this time, left me feeling more satisfied. An exploration of underground skate culture in Portland, Oregon, Paranoid Park is a confessional written by Alex, a high school student on the fringe of the dissident skating scene, daydreaming to one day play a real role therein. After a night at Eastside Skate Park, dubbed “Paranoid Park” by the runaway punks who reign supreme within the confines of its concrete basins, Alex takes part in the unintentional murder of a train station guard. The film is a recount of the subsequent events, told in Alex’s own words, awkward stumbling over words and all. What truly succeeds here is the spot-on portrayal of adolescence and the desire to be a part of that subversive scene on the edge of which every teenager finds themselves at one point of another. Lauren McKinney adds a touch of tenderness and intelligence as Macy, a friend of Alex. And yes, she does have acne. It’s about time that we see a zit on screen that is not part of a joke. Van Sant’s soundtrack, an eclectic mix of cool, classic jazz, punk anthems, and even nature sounds, despite its radical variety, somehow works as a whole; it underscores perfectly both Alex’s skater daydreams and his disorientation after seeing a man killed.

In addition to adolescence on a grand scale, Paranoid Park provides its viewer with a glimpse into the life of Portland youth. Those familiar with the Pacific Northwest will recall that Portland has one of the highest percentages of homeless teens in the nation, a population whose constituents were responsible for the creation of the titular skate park. Although, it is worth mentioning that the “Paranoid Park” shown in van Sant’s movie is located in a different area of town than the actual Paranoid Park.

Like Gus van Sant’s other films, Paranoid Park can be a bit lacking in the substance department. The long walking shots of brooding teenagers can border on superfluous, but the film works in the end. I found its quiet dreaminess to be an extension of Alex’s state of mind. Paranoid Park is more than just stylish pretension; its slow pacing may not appeal to everyone, but its depiction of adolescent dislocation rings true.

This is England
Directed by Shane Meadows
Starring Thomas Turgoose, Vicky McClure
NR, 101 mins

***** out of *****

My favorite of the three, This is England is a hilarious, heartfelt, and later, scary and tragic piece of cinema. From its euphoric beginning to its sobering conclusion, This is England takes hold of you through its surprisingly talented young star, Thomas Turgoose. Turgoose as Shaun exhibits a natural gift for comic timing as a young misfit who falls in with a crowd of punks in 1980s England. Margaret Thatcher’s politics and the events of the British/Argentine war loom in the background and underscore the darker elements of Shaun’ story, specifically racism. The juxtaposition of the happy-go-lucky, Doc Martin-buying days of Shaun and his new band of friends with Shaun’s initiation into a neo-Nazi-like group of racists hits hard in the minds of the audience. Turgoose is backed by a charming and eclectic cast, including the beautiful Vicky McClure as Lol, and the sheer oddity that is Rosamund Hanson as Smell. Strangely endearing, Hanson as Smell is one of the film’s most hilarious aspects. What made This is England even funnier was seeing it in Rennes and witnessing attempts by the French to translate such phrases as “Maggie is a twat,” into their native language. It’s no surprise that this film has been hailed as the best British film of 2007, as it is, without a doubt, one of the best of any nation this year.